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Scarlett Johansson Slams Comic Book Movies

‘Enough Said,’ ‘Rush’ and other new movies, reviewed

sniper shootings, though the film doesn’t dig deep enough, according to Hornaday. Divorced parents Albert (James Gandolfini) and Eva (Julia Louis-Dreyfus) explore middle-age romance in Enough Said. (Photo by Lacey Terrell/Fox Searchlight via Associated Press) Enough Said (PG-13) Like the best romantic comedies of Hollywoods Golden Age, Holofceners film zings and pops with hilarious dialogue (‘What the hell is chervil?’ Eva snorts after Marianne lovingly gives her fresh herbs from her perfectly un-manicured garden), but also gets to the heart of human nature: in this case, the lengths people go to in order to fill their empty spaces, and how lovable foibles become intolerable flaws. Ann Hornaday Rush (R) As much escapist fun as ‘Rush’ is as an adrenaline-juiced car-race movie, its most interesting as a rare depiction of male vanity, how physical attractiveness informs self-worth and potency, and the role beauty so often the sole purview of women on screen plays in mens relationships and personal insecurities. Ann Hornaday Inequality for All (PG) this film avoids the familiar impartial-arbiter mode of documentary filmmaking and adopts a single perspective as its own. (Viewers will not, in other words, hear from any Gordon Gekko types arguing that wealth belongs to those who can take it.) Both films pair bits of biographical color with footage of well-polished lectures, bringing in just enough outside material to make them feel like real movies. John DeFore Blue Caprice (R) As admirable as Moorss oblique style is, though, Blue Caprice doesnt offer the sense of catharsis or closure, let alone new information, that makes it more than a cold, if disciplined, directorial exercise. Muhammad, who was executed in 2009 , and Malvo, who is serving a series of consecutive life sentences , remain enigmatic, remorseless figures, their depravity never deeply examined past their emotional problems and psychological ills. Ann Hornaday Don Jon (R) The only real down side of Don Jon is the extreme vulgarity, especially early on. Its easy to imagine that some of Jons audacious admissions could alienate certain audience members, and it would be a shame if the outrageousness overshadowed the movies thoughtful revelations and surprisingly sweet heart. Stephanie Merry Baggage Claim (PG-13) Theres so much wrong with Baggage Claim from its outdated story line and similarities to the dreadful Whats Your Number to Talberts clumsy, flat-screen directing that its all the more surprising when things go right. But it would be unfair to deny that it doesnt provide its own modest, sometimes outright hilarious, pleasures. Ann Hornaday Cloudy With a Chance of Meatballs 2 (PG) But instead of upping the ante, as so many sequels do, Cloudy 2 merely gets the band back together including perky weather girl Sam Sparks (Anna Faris), immature bully Brent (Andy Samberg) and Flints level-headed father (James Caan) for a repetitive mission that calls to mind multiple beats from the first movie. Sean OConnell Metallica Through the Never (R) Thanks to wireless instruments, guitarists James Hetfield and Kirk Hammett and bassist Robert Trujillo are highly mobile, and even drummer Lars Ulrich moves around a lot. They interact with other performers in scenarios that appeal to some metalheads taste for carnage and destruction. The last staged catastrophe seems rather tasteless, but it turns out to be a clever setup for the back-to-basics finale. Mark Jenkins Haute Cuisine (PG-13) Frot manages the tough trick of playing someone whos both standoffish and likable. Hortense isnt easily amused or benevolently quirky, the way so many female characters can be. Shes serious, but her passion for recipes and fresh produce proves appealing. “Haute Cuisine” also strays from the typical formula because its devoid of a romantic subplot. Stephanie Merry The Trials of Muhammad Ali (Unrated) Bill Siegels The Trials of Muhammad Ali reminds us, though, that the boxer fought significant battles outside of the ring, as well. And in doing so, Trials educates casual boxing fans about the unexpected political, religious and social strife Ali encountered and largely brought upon himself during a tumultuous time in our nations racially divided past. Sean OConnell You Will Be My Son (R) It would be easy to make a movie pitting Paul, the deadbeat dad, against Martin, the long-suffering descendant who deserves his multimillion-dollar inheritance. But director Gilles Legrand, who co-wrote the script, opts for a more difficult and satisfying approach.

We’re not undermining the quality of these books. We’re just expressing our immense joy over movies that are as nuanced as the authors’ writing: Loading Slideshow “There Will Be Blood” Paul Thomas Anderon’s film is a very loose adaptation of Upton Sinclair’s “Oil!” While the former is a satire about green and the oil industry, the movie skirts the line between literal and absurd, making for a shocking watch. “Jurassic Park” The novel was a bestseller when it was published in 1990, but gained more acclaim after the movie came out. Spielberg’s adaptation was groundbreaking for the industry, in an “Avatar” sort of way, as it was a revolutionary use of CGI and animatronics. “American Psycho” Oh, Bret Easton Ellis. His books, not to mention his tweets, can be gratuitously graphic. But director Mary Harron managed to morph his story into a terrifically transgressive story, lauded by both critics and academics. We think the casting may be to thank for this one. “The Shining” This is an incredible book, with an equally incredible sequel (you can read an excerpt from “Doctor Sleep” here). But Jack Nicholson’s performance, along with the eerie soundtrack and creepy-as-hell shots of identically-dressed children makes this film a classic. The book, on the other hand, is not King’s most critically acclaimed.

12 Movies That Are Just As Good As The Books They’re Based On

“I think it is a sensational character. It is a professional, highly skilled, dangerous, mysterious superhero. I love playing it. I think that it is rare to find a woman sexy and intelligent on the big screen, able to fight anyone (including men) and overcome them physically and emotionally, and my character does it.” Of course, the lack of female superheroes is one that’s been getting a lot of attention lately especially since Joss Whedon revealed that it’s something he intends to tackle head on. But will we see another strong female in the Marvel cinematic universe before Wonder Woman makes it to the big screen? With the Scarlet Witch heading our way in ‘Avengers: Age of Ultron’ it certainly looks that way. As for Johansson’s comments about comic book movies, I think we can give her the benefit of the doubt… for now. But she’d better make it up to us with an amazing performance in ‘Captain America 2’. What do you think of Scarlett Johansson’s comment? Are most comic book movies not well-made? Let us know what you think in the comments below Ryan Leston is a comic book movie geek from Cardiff who can’t wait to see what’s in store for the rest of Marvel’s Phase Two.